Works directly with and assists IP & Literary Acquisitions executives.Supports in managing IP submissions, scouting, library management, and upkeep of records and logs.
Browsing: TV
Supporting teams in the production office, on location or in studio environments. Helping to research stories, contributors and locations for programmes.
Manage projects through development or production, provide first-pass creative feedback, and build relationships with emerging creative talent.
Support the host and editorial team in all aspects of daily show production. Assist with pre-production, live production, and post-production tasks.
Determine creative strategy for projects and administer creative notes to showrunners, writers, and producers on all outlines, scripts, and cuts of current series.
Oversee all administrative duties for the VPs of Production, including intense scheduling and management of calendars, managing phones, and handling expense reports. Perform coverage and other such reviews of creative and production material, as necessary.
Reading new book projects and assessing film/tv/documentary/podcast/live stage play potential. Based on assessment of film/tv potential and authors’ ambitions, assisting executives in devising submission strategies for new book projects and executing those strategies.
Write an average of 8 categories per week. Source material to show standards (no Wikipedia, no AI). Contribute to writers’ meetings with constructive feedback on game material.
Work closely with Associate Producers and Producers by assisting them in editing video and graphics. Search for best video and elements for open, lead intro for show, and various tells.
Act as the first point of contact for show production offices, coordinate meetings, manage executive travel, and produce essential documents such as hiring charts and production calendars.