Lionsgate picked up “Carry Me To My Grave” by Christopher Golden.
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Proactively approach producers and sales agents with our content priorities and build strong relationships with a wide external network of suppliers, including directors, writers, and other types of creators.
Work closely with the production teams of each TV show and be a primary point of contact for production documents, schedules, budgets to distribute internally.
Lionsgate and Blumhouse-Atomic Monster will produce “The Blair Witch Project” by Dylan Clark and Chris Thomas Devlin.
Lionsgate picked up “Ride or Die” by Marlon Wayans and Rick Alvarez.
Lionsgate picked up “The Correspondent” by Cat Vasko.
Lionsgate picked up the spec script “The Death Roll” by Kas Graham and Rebecca Pollock.
Generate original ideas and formats across a range of unscripted genres including documentary, competition, lifestyle, and true crime. Source and evaluate pitches from external producers, creators, and talent to determine viability and development potential.
Track correspondence and assist President in day to day communication. Submit necessary production paperwork to guilds and bond companies. Generate and circulate calendars for films in Development & Production phases.
Provide day-to-day administrative and operational support to the Chief AI. Assist with managing calendars, scheduling meetings, and preparing meeting materials. Coordinate travel arrangements and itineraries as needed.