Work closely with our experienced creators, showrunners, story editors, and staff writers, with exposure to story and character development, structure, and theme while building new tools essential for excelling in a professional writer’s room.
Browsing: Glendale
Track and read submissions and writing samples and offer written thoughts/coverage in a timely manner. Offer critical feedback on creative submissions. Support and track ongoing efforts to search for fresh comedic and artistic voices.
Schedule and coordinate meetings. Ensure that the Producer/Director have accurate calendars and are aware of meetings that they need to attend. Prepare necessary documents for the Producer/Director (i.e. materials for meetings).
Manages the department schedule, tracks the labor weeks and coordinates the day-to-day workflow. Approves and manages overtime in their departments.
Perform daily check-ins with members of production, artists and supervisors to determine the status of work on the show. Stays abreast of issues on the floor, anticipates potential issues and elevates information to Prod Sup and/or Production Manager.
Shepherd programming from development through delivery. Identify and evaluate ideas, formats, talent, and story opportunities for projects in development, evolve decks, bibles, schedules, etc.
Participate with Resource and Innovation Teams with a focus on R&D, identifying and testing new software and workflows. In addition to note taking and report sharing. Maintain an Innovation database in partnership with development with respect to prospective animation partners.
Responsible for creating and processing contracts for voice actors, coordinating the hiring of teachers for sessions involving minors, preparing and maintaining data spreadsheets for research and tracking, processing time sheets, managing special administrative projects, and performing a variety of administrative duties.
Provides overall general assistance to the Production Coordinator, Production Supervisor and crew within a specific department(s). Be in service to the production (i.e. seek ways to proactively support the crew, Production Coordinator and Production Supervisor, build the trust of the artists, know when to elevate issues, understand priorities and how to balance multiple requests including those which may come from outside of your department).
Works with APM, PM and/or AP to meet overall production scheduling and budget requirements and helps to ensure the department budget and scheduling are updated as changes are made to the film’s production flow and/or staffing profile. Understands how changes may affect their department’s budget, scheduling and overtime.